Wow, awesome. “36 lectures by people such as Bill Moggridge, Bill Buxton, Elizabeth Churchill, Paul Dourish and Donald Norman.”
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Talk by Chris Conley at the Interaction 08 conference exploring how elements of drama can be incorporated into interaction design. Case studies include the iPhone’s wiggling icons and Pixar’s story development process.
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As medical devices increasingly become a part of outpatient care, designers will need to consider how best to create devices that will be used in the home and operated by patients themselves.
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Fantastic! Putting People First has a roundup of presentation videos from the Interaction Design Association conference that just finished up.
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A summary of Dieter Rams ten principles for good design, and an article written by him in 2001. The first: “Good design is innovative.” The last: “Good design must be ‘the least designed’ as possible!”
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Excellent! It’s wonderful that the presentation audio is also available.
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Presentation by Erika Hall of Mule Design on the importance of thoughtfully designed interface copy. Plenty of examples of best (and worst) practices.
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Let me off of this bus!
October 25th, 2007 at 12:15 am
Ride the bus in San Francisco enough and you’ll see the following scenario play itself out over and over again. Just as the bus is about to speed away from the curb a cry will come from the back of the bus: “Back door! Back door!” Either the person wanting to exit is waiting for the doors to open automatically, or they’re pushing on them in vain. Whichever the case, they’re panicked, confused, and (rightly) convinced that any second now the bus is going to whip away from the stop without letting them off.
So what’s the problem? As tempting as it is to place the blame on clueless passengers, it’s really not their fault; there are several design issues that are conspiring against them.
Locked or unlocked?
While in motion the rear bus doors are locked and must be unlocked by the driver before they can be opened at each stop. There is a mirror mounted at the front of the bus that the driver can use see if anyone wants to exit through the rear doors, but frequently their view is blocked by people standing in the aisle, or they’re distracted by processing passengers entering the bus, of they’re in a hurry to try stay on schedule. For passengers, there is a green indicator light which illuminates once the driver has unlocked the doors however it’s mounted high above the rear doors in such a way that it is easily missed.
As a result, it’s no surprise that passengers end up on the rear stairs pushing on the doors while they’re still locked. The information passengers need in order to know whether or not the doors will open for them isn’t being presented in a sufficiently visible way and there’s no mechanism in place to relay feedback to the driver (short of yelling) when someone is beating on the doors unsuccessfully.
Magic doors
Another stealthier issue that trips passengers up has to do with the fact that not all doors on Muni work the same. Some buses require that you push on vertical bars mounted on the doors to open them, and people seem to understand this configuration well enough. In other buses, however, the doors lack push-bars and you must know to start descending the stairs while the doors are still closed; a pressure sensitive mat on the stairs causes them to magically open in front of you. These magic doors are problematic enough that the common cry from confused passengers (back door!) and the surly response from the driver (step down!) has become an in-joke among locals.
Muni’s magic doors suffer from a lack of perceived-affordances. Without bars or handles, passengers lack any obvious cues as to what to do in order to get the doors to open. (The large stickers inside the bus that warn “Do not stand in stairwell” in large red type can’t be helping either.) The designer or engineer may have felt that the design was both clever and efficient in the way it takes advantage of the action of exiting the bus, it turns out the design is just a bit too clever to be effective.
A modest suggestion
It’s my hope that incorporating the doors unlocked status light into the push-bars would make this crucial bit of information more visible to passengers by placing it in a position where their attention is likely to be focused as they prepare to exit the bus. Activating the green light within the translucent section of the push-bars could also serve as a prompt for action, uniting the knowledge that the doors are ready to be opened with an obvious affordance for doing so. To complete the communication loop, the driver should be notified, either by light or sound, when a passenger is pressing on the doors when they are locked.
Standardization across Muni’s vehicles would also be part of the plan. “Magic doors only” buses would have the new push-bars added, and the push-bars on Muni trains would also gain the integrated door status indicator. The clever mechanism behind Muni’s magic doors need not entirely be abandoned, it could be relegated to a secondary status, sensing when passengers are crossing the threshold and making sure the open doors don’t close on them as they step down.
Phew, who knew so much could be said about bus doors? The result of far too much time spent commuting on Muni and an urge to exercise my observation and design skills.
Permalink | 2 Comments » | interactiondesign muni sfsu
Gigantic presentation by Peter Merholz of Adaptive Path presented at dConstruct 2007. First half is devoted to conducting research, the second to interaction design. Will be an excellent resource once the session podcast is posted.
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“The primary mode of navigation on Chowhound… is the discussion thread. The elements of the interface are all organized around the idea that the topic of discussion is the most important thing. Therefore, the features tend to be those that support it.”
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Chicago Transit Observations
October 1st, 2007 at 11:34 pm
I’ll admit to being a bit of a public transit nerd. A daily commuter on SF Muni, I delight in observing the ways in which the system works and doesn’t work from an interaction design standpoint. A recent trip to Chicago (my first) gave me an opportunity to explore and experience a new system with fresh eyes. Along the way I jotted down a few notes and took some photos with my mobile phone.
Airport to Subway
Upon touching down at Midway my first task was to find my way to the “L”. Airport signage was clear early on but became sparse as I left the main part of the terminal. Passing through several empty rooms I became unsure of whether or not I had gone astray until a bold orange line appeared on the floor guiding me to the station. Perhaps the line could be extended right into the terminal?
Tickets, please
I noticed a few things at the ticket kiosk, the first being the rather large section up top devoted to instructions. There’s quite a bit of text up there that’s rendered fairly small and it’s positioned high enough that I wonder if everyone who could benefit from such thorough instructions could actually read them.
Getting a ticket went smoothly enough - select an action, insert money (it accepts $2 bills oddly enough) and press the “Vend” button… really hard. The amount of force required and the feel of the button definitely caught my attention. There was virtually no give to the button, mechanically. It made me wonder if the tactile design of the button was deliberate, but if so why? Though I visited in the fall, I wondered how it feels to use the machine with heavily gloved hands during Chicago’s brutal winter months.
Navigating underground
In several of the stops downtown I came across large panoramic images of the street view above, customized for each exit of the station. A really fantastic idea,
and one that I wish SF Muni would duplicate. There were also well placed bits of wayfinding signage placed at the bottom of station escalators as well. Handy.
Traveling by ear
CTA recordings and announcements were informative and clear, which is more than I’m used to when riding Muni in San Francisco. Announcements included which line you are riding, the name and transfers available at the next station, and on which side the doors will open. Upon exiting the train on elevated platforms the conductor would announce to waiting passengers the line color of the next arriving train. Several times when the train was held up due to construction the conductor announced the reason the for the delay and an estimate for when we would be moving again. Refreshing! Delays are never explained when riding Muni, which only further aggravates my fellow captive passengers.
Hang-ups
No trip to a new city is completely confusion free. Among the times I felt disoriented and cast adrift was the first time I had to transfer from an elevated station to the subway. I wandered around confused for a few minutes searching for a transfer corridor before I realized I had to completely exit the station and re-enter the subway a half block away. Later in the week I was trying to transfer to a rush hour only express train and for a moment thought the train I was waiting for would bypass the stop (the duration of rush hour schedules was unclear).
Permalink | 2 Comments » | chicago cta interactiondesign sfsu
Posts describing Adaptive Path’s recently released concept.
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“Of course, the fundamental problem with the rush to gather as much research as possible to please the client or address our own nagging insecurities, is that insights gained from research can only be as good as the questions they were designed to answer”
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In-depth look at the iPhone user interface. The delete gesture (a swipe to the right) is one of my favorites so far.
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A few demo/concept videos of Microsoft’s new tabletop computing user interface. Between this, Jeff Han’s work at Perceptive Pixel and the iPhone, it looks like gestural UI conventions could be codified pretty quickly.
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Podcast to go along with the slides of Ryan Freitas’ talk at the Future of Web Design conference.
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Talk by Ryan Freitas on design methods for rapidly evolving products. Advocates for creation of a clear value statement, using storytelling to understand user motivations/expectations, focusing on core product features, exercising thoughtful restraint.
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Article on the handset/service design behind Jitterbug, a new mobile firm focused on the Baby Boomer market. Notable design choices: a dial tone when you open the phone and service is available; UI shrinks to fit the feature set chosen via web interface.
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Talk by Younghee Jung of Nokia. She leads the “Insight and Innovation” research team there, studying how people think about and use their mobile phones. Recognized a bunch of pics from Jan Chipchase’s blog.
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Quite a collection of User Experience Design quotes…
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Instant invite for the Joost beta. Some interesting concepts and user interface things happening in Joost. In particular the chat/widgets functionality seems promising. Program highlights so far: Aardman Animations, bunch of National Geographic/travel.
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Shifts the on-screen menu structure onto the keypad by placing LCD screens above each row. I like how the concept makes currently available functionality more visible, but am not convinced it’s better overall. Text input is particularly modal/cumbersome.
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Beyond the e-waste and sustainability concerns, concepts like this make me wonder what the hell kind of interfaces we’re going to use to manage the complexity that comes along with having everything on your desk announcing its presence all at once.
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“But the point here, actually, is the power cord for the drill. It lights up when it’s plugged in! And it has a picture of a drill on it so you know which cord to unplug! “
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Hello
John is currently thinking and designing in San Francisco.
Projects
A simple and forgiving text messaging service for San Francisco Muni arrival times.
DS Buttons are an invitation to play.